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In Marvel’s version of World War II, it was HYDRA and Red Skull who posed the real threat to the Allies. The villain even shrugs off Adolf Hitler, claiming to be doing real research while the German leader wastes his time “digging for trinkets in the desert.” When audiences remember that Captain America director Joe Johnston worked in visual effects and art direction for Raiders of the Lost Ark , the real meaning of this line is clear. At the very least, it’s a nod to the plot of Indiana Jones’ first adventure, and at most, a playful hint that the archeologist existed in the Marvel Unive
Backstory: While on their mission to the Sun, the Icarus II crew receives a distress signal from the long-missing Icarus I and game tips|https://movietriviafocus.com/ decides to rendezvous with the ship. When Capa (Cillian Murphy), Searle (Cliff Curtis), Harvey (Troy Garity), and Mace (Chris Evans) board the Icarus I, their flashlights periodically shine directly into the camera (and out at the audience). At each instance, roughly 49 minutes into the film, director Danny Boyle spliced in hidden frames of (now deceased) Icarus I crew memb
Backstory: Typically in movies license plates are designed to blend into the scenery without a second thought. However, in the Matrix trilogy, many of the vehicle plates are shorthand references to religious scriptures. At the beginning of Reloaded , Agent Smith’s license plate reads “IS5416,” which corresponds to Isaiah 54:16: ” Behold, I have created the smith, who blows the fire of coals, and produces a weapon for its purpose. I have also created the ravager to destroy. ” Similarly, during the highway chase sequence, Trinity’s Cadillac plate reads “DA203,” which corresponds to Daniel 2:03: ” He said to them, ‘I have had a dream that troubles me and I want to know what it means
Of course, license plates aren’t the only references to religious texts in the Matrix series, given that, among others, Nebuchadnezzar (the name of Morpheus’ ship) was also a Babylonian King – and the speaker chronicled in the aforementioned Daniel 2:03 t
That’s what’s getting lost in the shuffle. Abrams is showing a single character asking Han about all the rumors she has heard. And given the backgrounds of the new characters, having Rey be the one unsure of it all makes the most sense. Much like Luke at the start of the original film, she’s not a player in a widespread war. How she gets drawn into it remains to be seen, but the footage clearly indicates she comes from humble beginnings. Abrams isn’t making it as if none of the fresh faces are aware about what happened three decades ago, just one. And both in-universe and for the movie itself, it’s an extremely logical decision that should benefit The Force Awakens as a wh
Indeed, Obi-Wan – more so than Boba Fett – is a member of the Star Wars universe whose life story has been pretty thoroughly examined and detailed in previously-released Star Wars projects. It’s for this reason that many dedicated Star Wars fans have already made it clear that they would rather a different person in a galaxy far, far away get to stand in the spotlight instead – by getting to being the star in a future Anthology film, that
Given the talent behind the scenes of Anchorman , including producer Judd Apatow, writer/director Adam McKay, and writer/star Will Farell, it shouldn’t come as a complete surprise that one of the funniest gags (in an already highly quotable film) is also one that most American moviegoers will miss entir
Every Firefly fan knows that Joss Whedon’s canceled TV show was given a second life, and a conclusion on the big screen. But when Serenity was greenlit by Universal, the crew realized that Fox, believing the property to be dead, had destroyed the sets – meaning they had to be rebuilt from scratch. The film’s budget had to cover the new ship, but Whedon made light of the situation, stencilling storage containers with the words “REUSABLE CONTAINER: DO NOT DESTROY” in large letters. Let’s hope they took the message to he
Director Martin Scorsese wasn’t exactly subtle with the tension and terror of Cape Fear , the story of a convicted criminal who seeks revenge on the lawyer who put him there, terrorizing him and his family, particularly his teenage daughter. Beginning the movie with chilling music and a blood red close-up on the daughter’s eyes warns audiences that the story she’s about to recount is a violent and truly unsettling one, due in large part to Robert De Niro’s acclaimed performance as the film’s villain. The family survives in the end, with the lawyer successfully killing his former client – but the damage has been done. To remind viewers that Cape Fear is as much about the loss of innocence as it is about revenge or protecting your family, the film returns to the “spared” daughter, this time fading from innocent white to red – and keeping audiences from feeling too good about its happy end