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Those are all the hidden details and easter eggs we think Star Wars fans will want to know, but which ones have we missed? Be sure to share them in the comments, and remember to subscribe to our channel for more videos like this
No other actor embodies the age of American Westerns like John Wayne, with his role as Ethan Edwards in The Searchers considered one of his finest roles. The film opens inside a West Texas homestead, revealing a stunning landscape as Ethan first returns home after leaving years earlier to fight in the Civil War. When his brother’s family is killed not long after, and their two daughters kidnapped, https://movietriviafocus.com/ Ethan sets off to find them no matter how long it may take. The youngest daughter Debbie is finally tracked down years later, and Ethan personally delivers brings her back home. Although it’s technically a different home, she is welcomed with open arms, and the future, for once, looks bright. With no place for an aging soldier inside, Ethan is left to walk into the wild all by himself. The shot is a perfect mirror of the one which started the film, and director John Ford’s iconic closing image is just one of the reasons The Searchers would go on to be seen by many as a masterpiece, and one of the greatest films ever m
There are still far too many unknown variables to say with any certainty that this rumored storyline for Edwards’ Star Wars spinoff is or is not accurate, though. We still don’t know who the majority of the Force Awakens cast are playing in this film universe (the Star Wars OT cast members aside) and even if one of the spinoffs does indeed revolve around a mission to steal the Death Star plans, there’s no guarantee it’ll be the first one released in theat
To be clear, movies on our list are more than simple easter eggs (such as the Egyptian etching of R2-D2 and C-3PO in Raiders of the Lost Ark ), set/costume designs that might not have been an actual “message” to the audience (like the The Bride’s “F*** You” sneaker soles in Kill Bill, Vol. 1 ), or Illuminati/thematic abstractions about the “true meaning” behind a particular film (i.e. Harry Potter is a platform for anti-family subliminal messaging). For our purposes, we’re focusing on frames, text, and audio that is literally hidden in each mo
… On the other hand, we’ve also long heard that Lawrence Kasdan – screenwriter of The Empire Strikes Back and co-writer on The Force Awakens – is the one penning the Boba Fett movie ; meaning, Edwards’ spinoff (as written by Whitta) could well revolve around the operation to steal the original Death Star’s plans, but it might not involve Jango Fett’s “son”/clone (or any bounty hunters for that matt
James Cameron’s 3D blockbuster smash may have taken audiences to an alien world, but it begins at home, in a futuristic Earth. Actually, Avatar begins in a dream sequence, with the movie’s hero Jake Sully explaining that his sleep has become filled with visions of flying ever since he was wounded in combat, opening his eyes every morning to find he’s still confined to a wheelchair. His adventure on the planet Pandora piloting an artificially-grown human/Na-vi hybrid allows him to do more than fly, successfully defending the planet from his own side’s forces. The final shots of the movie mirror the beginning directly, showing Jake once again opening his eyes – this time, to a new body, a new people, and a new purpose. To take things further, the end credits are run over the exact same shots of flying as Jake’s first dr
Look, in my own opinion, I’ve never been a big fan of prequels/sequels that go out of their way to shoehorn every single familiar or fan-favorite character into the new narrative. Prequel appearances by characters like C-3PO and R2D2 (oh-so-conveniently present in the saga of Anakin Skywalker as they were in the saga of Luke Skywalker) still irks me almost as much as Jar-Jar Binks. On the other hand: an appearance by Ghost Palpatine is intriguing, since we’ve never seen Sith ghosts onscreen before – and if we’re going that route, an appearance by trust-old Obi-Wan’s spirit doesn’t seem like all that bad of a cameo to
David Fincher had an incredible challenge adapting the novel Gone Girl to film, but the opening shot is a hard one to forget. Showing what should be a loving scene between a husband and wife, star Rosamund Pike’s sudden stare into the camera and Ben Affleck’s narration put audiences on edge, warning them that the story about to unfold was anything but simple. A kidnapping, lies, and murder all led the estranged couple back to eachother, forced to decide just how willing they were to keep lying for the sake of a marriage – and public perception. Having the couple end up right back where they started from may have been a hard pill for viewers to swallow, but Fincher makes the message loud and clear, ending the movie with the exact same shot he opened on – but the audience’s opinion of the woman in frame has completely chan